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The Politics of Postmodernism
1989, 2002, Linda Hutcheon, All Rights Reserved.
Authourized Translation from the English language
Edition Published by Routledge, a Member of the Taylor Francis Group.
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Reproduction or Significance^ in: Robert H. Canary and Henry Kozicki, eds.,
The Writing of History: Literary Form and Historical Understanding (Madison,
Wis: University of Wisconsin Press, 1978).
Hutcheon, Ibid., p. 91. , (2«)
.94 ^ 4 kJu jJUall (29)
Sherrie Levine, «Five Comments,» in: Brian j <. 94 ^ l a ^ i \ j .\ „t i ( 30 )
Wallis, ed., Blasted Allegories: An Anthology of Writings by Contemporary Artists
(New York: New Museum of Contemporary Art; Cambridge, Ma: MIT Press,
1987 ).
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Reproduction or Significance,» in: Robert H. Canary and Henry Kozicki, eds.,
The Writing of History: Literary Form and Historical Understanding (Madison,
Wis: University of Wisconsin Press, 1978).
Hutcheon, Ibid., p. 91. ' (28)
.94 'j* t<«i; jJUail (29)
Sherrie Levine, «Five Comments,» in: Brian j t 94 ^ t jj_^ail (30)
Wallis, ed., Blasted Allegories: An Anthology of Writings by Contemporary Artists
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1987).
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40
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[n. pb], 1928), p. 642.
Hobbes, Ibid., p. 322. (11)
Hanna Fenichel Pitkin, The Concept of Representation (Berkeley: (12)
University of California Press, 1972), p. 39.
42
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Karl Loewenstein, Political Power and j 4 43 ^ 4 4 — - — 4 — J j J — *oit (14)
Governmental Process (Chicago: University of Chicago Press, 1957), p. 38.
John Adams, «Works: Letter to John Prenn ,» j 4 60 y> 44 — aJ jju^ll (15)
IV, Boston, pp. 195 and 205.
43
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Burke’s Politics; Selected Writings and Speeches on Reform , Revolution and War,
Edited by Ross J. S. Hoffman and Paul Levack (New York: A. A. Knopf, 1949),
p. 116.
James Madison, «The Federalist no. 10,» Journal of Politics (November (17)
1787), p. 42.
44
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James Madison, «The Federalist no. 63», Journal of Politics (March (19)
1788), p. 324.
Beer Samuel H. «The Representation of Interests, » American Political (20)
Sconce Review, LI (September 1957), p. 629.
Sheldon S. Wolin, Politics and Vision; Continuity and Innovation in (21)
Western Political Thought (Boston: Little Brown, 1960), p. 389.
45
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Warren E. Miller and Donald E. Stokes, «Constituency Influence in (22)
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46
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F. R, Ankersmit, Aesthetic Politics: Political Philosophy Beyond Fact (23)
and Value (Stanford: Stanford University Press, 1996), p. 22.
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59
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(77ie Comedian Postmodern: j w History, Theory , Fiction) (1988)
. /I Study of Contemporary English-Canadian Fiction) (1988)
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62
(Texts) , (Signature: A Journal of Theory and Candia
Literature) , (Style) (special issue editor: Mieke Bal), ( Canadian
Review of Comparative Literature) (special issue editor: Alain
Goldschliger), ( Quarterly Review of Film and Video) (ed. Ronald
Gattesman), (Bulletin of The Humanities Institute at Stony
Brook) (ed.E. Ann Kaplan), (Postmodernism) (ed. Hans Bertens,
London: Macmillan), (Intertexuality) (ed. Heinrich F. Plett,
Berlin and New York: Walter de Gruyter).
** ' .
toJLiUlj AiJjJl Jlsaaj <. (3^
SUNY- Stony Brook (E. Ann Kaplan, University of
Western Ontario (Martin Kreiswirth), Queen’s University (Clive
Thomson), Toronto Semiotic Circle (Ian Lancashire), Victoria
College (Barbara Hovercraft) and University College (Hans de
Groot, University of Toronto, International Summer Institute
for Semiotic and Structural Studies (Paul Bouissac) McMaster
University (Nina Kolisnikoff), American Comparative Literature
Association (Daniel Javitch).
63
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66
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. LjjJ— jI ja 1
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jl y> ^UmiS/I a^lj .U^ ill & Nj !jU> ^i\j^i\
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1+sJUO.J I j\j <4) jL-JI oj>T 4Lj* . ^jljJI
Heiner Muller, « Reflections on Post-modernism^ New German Critique, (1)
vol. 16(1979), p + 58.
Charles Newman, The Post-Modern Aura : The Act of Fiction in an Age (2)
of Inflation , With a Preface by Gerald Graff (Evanston: Northwestern University
Press, 1985), and Hilton Kramer, «Fostmodern: Art and Culture in the 1980s»
New Criterion , vol. 1, no. 1 (1982), pp. 36-42,
Terry Eagleton, ^Capitalism, Modernism and Postmodernistn,» New (3)
Left Review, vol. 152 (1985), pp, 60-73; Fredric Jameson: ^Postmodernism and
Consumer Society ,» in: Hal Foster, ed.. The Anti-Aesthetic: Essays on Postmodern
Culture (Port Townsend: Bay Press, 1983), pp. 111-125, and ^Postmodernism, or,
the Cultural Logic of Late Capitalism,^ Left Review t voL 146 (1984), pp. 53-
92,
Charles Russell, Poets, Prophets „ and Revolutionaries: The Literary (4)
Avant-garde from Rimbaud through Postmodernism (New York; Oxford: Oxford
University Press, 1985), and David Caute, The Illusion (New York: Harper and
Row, 1972).
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Roland Barthes, Roland Barthes by Roland Barthes , Translated by (6)
Richard Howard, 1st American Ed. (New York: Hill and Wang, 1977), p. 154.
Burgin, Ibid., p. 55. (7)
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Stefa no Rosso, «A Correspondence with Umberto Eco,» Translated by (9)
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Burgin, ed., Thinking Photography (London: Macmillan, 1982), p. 84.
David E. Wellbery, Postmodernism in Europe: On Recent German (11)
Writings in: Stanley Trachtenberg, ed.. The Postmodern Moment: A Handbook of
Contemporary Innovation in the Arts (Westport, Co: Greenwood Press, 1985),
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Dominick LaCapra: History and Criticism (Ithaca, NY: Cornell (21)
University Press, 1985), and History, Politics, and the Novel (Ithaca, NY: Cornell
University Press, 1987); Hayden V. White: Metahistory: The Historical
Imagination in Nineteenth-Century Europe (Baltimore: Johns Hopkins University
Press, 1973); Tropics of Discourse: Essays in Cultural Criticism (Baltimore: Johns
Hopkins University Press, 1978), and The Content of the Form: Narrative
Discourse and Historical Representation (Baltimore: Johns Hopkins University
Press, 1987).
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Art and the Women's Movement 1970-1985 (London; New York: Pandora, 1987),
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Townsend: Bay Press, 1985).
Janice Winship, ««A Girl Needs to Get Street-wise»: Magazines for the (38)
1980s, » in: Rosemary Betterton, ed.. Looking On: Images of Femininity in the
Visual Arts and Media (London; New York: Pandora, 1987), p. 127.
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Kenneth Allan, The Meaning of Culture: Moving the Postmodern (1)
Critique Forward (Westport, Co: Praeger, 1998).
Steven Connor, Postmodernist Culture: An Introduction to Theories of the (2)
Contemporary (Oxford: Blackwell, 1989).
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Richard Appignanesi, Postmodernism for Beginners (Cambridge: Icon (4)
Books, 1995).
Stefan Morawski, The Troubles with Postmodernism , Foreward by : ^JaJl (5)
Zygmunt Bauman (London; New York: Routledge, 1996); Nicholas Zurbrugg,
The Parameters of Postmodernism (Carbondale: Southern Illinois University Press,
1993); Margaret A. Rose, The Post-Modern and the Post-Industrial: A Critical
Analysis (Cambridge: Cambridge University Press, 1991), and John McGowan,
Postmodernism and its Critics (Ithaca: Cornell University Press, 1991).
Terry Eagleton, The Illusions of Postmodernism (Oxford; Cambridge, (6)
Ma: Blackwell, 1996).
Christopher Norris: What’s Wrong with Postmodernism: Critical Theory (7)
and the Ends of Philosophy (New York; London: Harvester Wheatsheaf, 1990);
The Truth about Postmodernism (Oxford, UK; Cambridge, Ma; USA: Blackwell,
1993), and Truth and the Ethics of Criticism (Manchester: Manchester University
Press, 1994).
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University Press, 1985).
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Brian McHale, Postmodernist Fiction (London; New York: Methuen, (9)
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Homi Bhabha, «Minority Maneuvers and Unsettled Negociations,» (10)
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Simon Malpas: «Introduction,» in: Postmodern Debates (New York: (12)
Palgrave, 2001), p. 1.
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York: Routledge, 1995).
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Marjorie Perloff, ed., Postmodern Genres (Norman: University of (14)
Oklahoma Press, 1989).
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Indiana University Press, 1991).
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and Postmodernism (London; New York: Routledge, 1997).
Nick Kaye, Postmodernism and Performance (London: Macmillan, (17)
1994).
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(Berkeley: University of California Press, 1993).
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Barbara Harlow, «From «The Civilising Mission» to «Humanitarian (68)
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Ann Lather, Getting Smart: Feminist Research and Pedagogy with/ in the
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Discourses, and Authority in the Postmodern Composition Classroom (Albany: State
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Anne Friedberg, «Mutual Indifference: Feminism and Postmodemism,» (82)
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Fredric Jameson, Marxism and Form; Twentieth-Century Dialectical (86)
Theories of Literature (Princeton, NJ: Princeton University Press, 1971), p. 38.
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Cleto, ed., Camp: Queer Aesthetics and the Performing Subject: A Reader (Ann
Arbor: University of Michigan Press, 1999), p. 267.
Fabio Cleto, ed. «Introduction: Queering the Camp,» in: Fabio Cleto., (90)
ed., Camp: Queer Aesthetics and the Performing Subject: A Reader (Ann Arbor:
University of Michigan Press, 1999), p. 304.
Andrew Ross, ed., «Uses of Camp,» in: Andrew Ross, ed., No Respect: (91)
Intellectuals and Popular Culture (London; New York: Routledge, 1989).
346
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Gregory W. Bredbeck, «The New Queer Narrative: Intervention and (93)
Critique,» Textual Practice , vol. 9, no. 3 (Winter 1995), p. 478.
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Theory and the Foreclosure of Gay Studies,» English Studies in Canada (1995).
Cleto, Camp: Queer Aesthetics and the Performing Subject: A Reader , (95)
p. 14.
Robert K. Martin and George Piggford: «Introduction,» in: Robert K. (96)
Martin and George Piggford: Queer Forster (Chicago: University of Chicago
Press, 1997), pp. 1-28.
Cleto, Ibid., p. 15. (97)
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Fiction 1790-1860 (New York; Oxford: Oxford University Press, 1985), p. 14.
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Century Art Forms (London; New York: Methuen, 1985), pp. 84-99, and Irony’s
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116-140.
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Granada, 1973), p. 112.
Arthur Kroker, The Possessed Individual: Technology and (101)
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351
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Jaishree K. Odin, «The Edge of Difference: Negotiations Between the (102)
Hypertextual and the Postcolonial,» Modern Fiction Studies , vol. 43, no. 3 (1997),
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352
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1982, 1983; Mcleod 1985; Stem 1980; Lerup 1987; Brolin
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; Ja»U
Creed 1985; Caroll 1985; Brooker and Brooker 1997; Friedberg
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: U\ i*2)\ j AjitJbJl -UiL*
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1985; Klinkowitz 1985, 1986; Thiher 1984; Stevick 1981,
1985; Mellard 1980; Tanner 1971; Bradbury 1983; Lodge
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Hutcheon 2000; Kramer 1995; Lindenberger 1989; Lipsitz 1994;
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JLiulil * ^a< JJ iaU’ oU-IjA
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Arac 1987; Paterson 1986; Kohler 1977; Hassan 1971, 1975, 1980a,
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Hutcheon 1988; Russell 1985; Huyssen 1986; Auslander 1997;
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iiiUiJlj i-pUi>-Vl oLI jjdl i
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Bignell 2000; Collins 1989, 1995; Docker 1994; Featherstone 1991;
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Eagleton 1985; Jameson 1984a; Foster 1985; Huyssen 1986;
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356
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365
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